Posts Tagged ‘Basic’

Digital Camera Basic Information

Sunday, May 16th, 2010

A digital camera is an electronic gadget that can capture photographs and then store them. Instead of employing photographic films like the traditional cameras or using magnetic tapes to record images in an analog format like in video cameras, a digital camera stores photographs in an electronic way in a digital format. Nowadays we also get modern and multifunctional compact digital cameras that can record and store sound and video apart from pictures.

Digital cameras have become a rage everywhere in the world. They are amongst the top items of must-have lists of every home. Not only much more technically advanced with better features than their older versions, digital cameras are also very handy and practical. They come in a wide range and variety to suit everyone`s tastes and budget.

Apart from having a better picture quality, the most obvious advantage of digital cameras over the conventional ones is that you can click and store as many pictures as you want without worrying about wasting the film roll. After you have transferred the pictures to your computer, you can easily keep those you want, discard others, print some and may even edit the not so flattering ones. This clearly gives you a lot of options and choices as you can change the background of photograph edit brightness and contrast and make other changes according to your whims.

Digital cameras can be of various types. The first in the category is the video camera which is mainly used to record moving images. Then you have digital still camera or live preview cameras. These cameras are usually of two types, compact and bridge. Compact digital camera has small zooms and is characterized by easy focusing and easy operation. They usually have a built in flash. Bridge digital cameras have super zoom lenses and are capable of taking good images.

Then we have digital single lens reflex cameras with a mirror and reflex system, digital rangefinders which is nothing but a camera that has a rangefinder and the professional modular digital camera system that is a very professional camera with different modular parts like grips, winders etc to suit different purposes. These types of cameras are usually used for commercial purposes in studios as they are quite big and bulky.

With a wide variety of digital cameras available in the market, it is obvious to get confused as to which will be the best-buy amongst them. However you need to understand that each camera has its unique function and specialty and you need to check out each one to determine your pick. As for example, if your purchased camera is going to be a gift then you need to know which type of digital camera will be suitable for the person. For instance, teens will obviously like cameras that are funky and cool, while mums will be delighted to get cameras that will allow easy image sharing for family pictures.

Before buying a digital camera it is important that you get your basic information right so that you can get the best deal. There are lots of factors that you need to consider like the resolution of the photograph and the size of camera. Another important consideration is the Digital Camera Storage or Memory Cards. Semi-professional photographers would also like to consider having a decent Digital Camera Zoom.

Last but not the least, after you get your brand new digital camera then learn about the basics of its maintenance and operation. Get acquainted with its various features; learn how to share your images with friends and family and steps to take to troubleshoot your camera.

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Basic Digital Photography: Getting the Light Source Right

Sunday, May 2nd, 2010

Lighting is the single most critical factor in determining the quality of any photograph. Although with digital cameras you can edit after the fact, such features are limited and it is more effective to assure that you get the best exposure when taking the shot.

The amount of light on the image sensor, or exposure, is determined by the opening/closing of the aperture, the length of time that the shutter is open, and the amount of light present. For the purposes of this article, the discussion will be limited to working with and enhancing the light present for the shot.

When the light in a situation is not sufficient or when you want to create a different effect with highlights and shadows, an internal flash or external light source can be used. The happy news for the photography novice is that digital cameras have an auto flash feature in which the camera decides when lighting is insufficient and will activate the flash automatically.

One of the most important things to remember about using flash photography for the novice is that all cameras have a flash range. Beyond that range, generally no more than 14 to 15 feet, the flash is not effective. Flash is most often used when shooting indoors where there is generally less light.

One of the pitfalls of using flash when photographing people and animals however is the infamous “red eye” effect which is created when the light bounces off of the back of the retina of the subject. This can be reduced by having subjects avoid looking directly into the camera or using the “red eye reduction” mode. This mode simply emits a tiny flash prior to taking the picture to help the pupil contract prior to the full flash.

Glare is another common problem encountered when using flash photography but can easily be eliminated by being sure not to point the camera directly into any shiny object such as a mirror or glass. Most digital cameras allow the user to have control of the flash function giving them the ability to disable it for use in situations where flash is not allowed or the user is striving to achieve a particular look in the picture. It also allows the user to set the flash so that it is always on, allowing the flash to be used even when the camera senses adequate lighting.

Flash can be used to deal with some lighting related problems outdoors as well. Sunlight can create shadows and cause the subject to appear dark and difficult to discern with the brighter, sunlit area around them. One option is to pose your subject in the shade. Taking photographs in the shade often provides images with better/truer color definition, no shadows, and subjects free from squinting.

When in the sunlight, use of the flash can be particularly helpful in balancing the light and reducing shadows. The fill-flash mode can be useful in any situation where the subject will be darker than the surrounding background whether they are shaded by a hat, a tree, or simply their own facial features. However, fill-flash mode should be used only when the subject is within 6 feet. Beyond this distance full power mode will be necessary.

Use of an external or auxiliary flash can give the user the control necessary to adjust lighting and create special effects. Just as the intensity of a light source influences the exposure in a picture, the direction of the light source can change an image through shadows and highlights. A flash can be attached to a camera with either a “cold shoe” or a “hot shoe”. A cold shoe is merely a plastic shoe that allows the flash to be physically attached to the camera but does not have any contacts that allow the camera to communicate or coordinate the flash activity. With a hot shoe, users can attach a flash sync cord, allowing them to move the flash away from the camera and choose the direction of the lighting. In addition, a hot shoe attachment allows the flash to be controlled by the camera’s flash settings. With the external flash, there are various modes to control the flash function.

• The TTL setting allows the camera and flash to determine the best exposure based upon the focal length of the lens. This is possible when the camera and the flash are of the same brand.

• The Stroboscopic setting can produce multiple flashes within a single exposure to create special effects.

• The Manual setting allows the user to set the flash for full, half, or quarter power.

• The Auto setting allows the flash to determine the best exposure independently. This is used most often when the camera and flash are not of the same brand.

There are two primary types of lighting used in photography. A hard light is created from a single, bright source of light and it produces shadows, highlights and pronounced contrast in the resulting image. Soft light on the other hand is very diffuse, making highlights and shadows more subtle.

Hard light is preferable when detail and distinct color is desired, but soft light is best for a softer image. Light from a single source can be diffused in a number of ways. The flash can be covered with a thin material such as tissue or wax paper or it can be bounced off of another surface, such as the ceiling or a wall, rather than being shown directly onto the subject. Bouncing the light is obviously not effective outdoors and the distance of the reflecting structure should be no more than 6-8 feet. The color of the surface reflecting the light must also be considered. Any color on the surface is generally reflected onto the subject. For this reason, white is generally preferred although professionals use black to absorb light and darken shadows and shiny materials are used to harden the light.

As mentioned previously, the direction of lighting can also greatly influence the characteristics of a photograph. The use of an external flash gives the user the option of moving the light source in relation to the subject.

Front lighting is the most common. When wanting to emphasize the detail of the subject, front lighting is the best choice. However, it can create a rather harsh image with shadows in the background, muted colors in the foreground, and red eye. The use of fill flash and red eye reduction when using front lighting can help to alleviate some of the negative effects, while diffusing the light can reduce harshness.

Back lighting can produce a very dramatic photograph but, if too bright, can cause the subject to appear only as a silhouette unless the object is transparent. Reducing the brightness of the light source and using fill flash to brighten the shadowed areas can improve the quality of a picture with back lighting. Providing lighting from an angle rather than directly from the front or back can be beneficial in either of these lighting situations.

Lighting can also be directed from the side, the top, and from under the subject. Side lighting gives the user the most options as far as angle and the ability to create a wide variety of effects. Side lighting is optimal for creating texture and a sense of depth to a photograph.

For the novice photographer, experimentation is key. Whether diffusing light for softer images, using fill flash outdoors to eliminate shadows, or altering the direction of lighting to create special effects, creating unique, quality images requires practice.

Basic Understanding of your Digital Camera Flash

Thursday, April 29th, 2010

Many of us do not think twice about the usage of our digital camera’s flash assuming that the camera will use the flash automatically as needed. Flash however can and should be manually set in many scenarios resulting in high quality digital photos.
The most common usage of flash photography is when there is not enough ambient light for example when taking an indoor digital photo in a dark room. There are many other ways in which you can use your digital camera’s flash to get high quality digital photos. One such usage is fill-in flash.
Before setting your flash to manual mode and making more efficient usage of it you should know a bit more of the technology and history behind flash photography. Flash photography has been around for more than a century. During the early days of photography flash was implemented as a powder that was literally lit by either fire or electrical current. At that time flash photography was a risky business. Digital cameras today use a safe implementation by utilizing electronic flash tubes that are automatically synchronized with the camera’s shutter.
You have two options for using flash with your digital camera. The first option is using the digital camera internal flash. Practically all digital cameras have build-in flash units. Most cameras also allow the usage of an external flash unit. Such flash units can be either mechanically attached to the digital camera or they can be connected to the camera via a cable and mechanically positioned on a tripod or any other mechanism. They are synchronized and controlled by the digital camera. External flash units vary in price and features. They can have different maximum light energy that they can emit and different mechanical capabilities (tilting, skewing).
In automatic flash mode the camera sensors evaluate the amount of ambient light in the scene. The digital camera fires the flash if the amount of ambient light is not high enough. There are limitations to the cameras automatic sensors resulting in either firing the flash when it was not needed or vice versa.
In some scenarios the usage of flash can result in poor digital photos. For example when the object is too close to the digital camera the flash light will be too strong and will wash out the object. Another example is in scenarios where the flash creates unwanted shadows in the digital photo. Yet another example is exaggeration of details such as when shooting a digital photo of an older person the skin wrinkles and imperfections details can be overly detailed.
Digital camera’s flash units have a certain effective range. This is a limitation of how much light energy the flash unit can emit. Internal flash units usually have shorter range than external flash units. If the object in the photo is outside of the flash range the flash will not be effective and the object will be dark. On the other hand if the object is too close to the flash unit or the flash unit emits too much energy the object will be washed out. If your object is outside of your flash unit effective range you should turn off the flash and use slow shutter photography preferably with a tripod or another stabilizing mechanism. If your flash units allows the setting of the light energy that will be fired (usually by setting the distance to the object) make sure that it is set right to prevent washed out objects.
In some scenarios there will be enough ambient light to take a digital photo but without the usage of the flash the digital photo quality will be very poor. In such scenario if the camera is left on automatic flash mode it will not fire the flash. For example daytime photography with an object that is shadowed. If the object is wearing a hat it can create shades on the object’s face or when the object is lit from the side the object’s nose can create shades too. Putting the flash in manual fill-in mode will force the flash to fire. The flash will lit those shadowed areas and prevent the shades in the final digital photo. The object of course must be in effective flash range. Another example is an object that is lit from behind such as when taking a digital photo of an object against a sunset. Without a fill-in flash the photo will likely be just a dark silhouette of the object.
These were some basic concepts behind flash usage. There are many other advanced options for your digital camera flash. For example bounce flash can result in great digital photos in that mode instead of pointing the flash directly at the object it is pointed to some reflecting surface like a wall or a special reflector. The result is more natural light and color rich digital photos.

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